well, i’ve just killed off most of my family. and it feels accomplished, but not good. necessary, but not satisfying. i don’t hate my family, after all. they’re all fucked up, and have caused me endless trouble, but so what? i still love them. they’re my family. and i’m just like them.
but this means that i’m at the end of my story. and that’s the problem.
until now the story has pretty much written itself. and will continue to do so, i suppose. things tend to do that when you watch them closely.
it’s not that a watched pot never boils. it’s just that if you’re watching the water heating up, then you can’t say exactly when it starts to boil. it seems as if it’s almost boiling but not quite for the longest time, even tho the candy thermometer says 212.
i’ve just killed off laurie, and cindy, and gordon. it was too challenging to figure it out intellectually, so i just sat there and visualized the scene (thus the game of statues) and then figured out what was going thru each character’s head and what they were going to do next.
but i was undecided how to proceed, and so ended up photoshopping a whole bunch of pictures of jim’s nudes for a show he wants to apply for. and that took all day. so i thought about what i wanted to do instead.
whose point of view should i write the next part with? i figured judy, of course, since she’s the one who is most impacted, but on a dog walk, jim suggested that i write what happens next from everybody’s point of view.
that’s just mom, allen, and judy. sam and dave have already split, everybody else is freshly dead, and the ambulance and police haven’t arrived.
i can write it that way.
there’s judy, holding the gun, standing in the middle of the back yard surrounded by bodies. there’s allen, faced with another crazy woman with the power to hurt him. there’s mom, most of her children dead, and nobody’s told her about rick yet.
sitting here thinking about it, i’ve got a couple of inconsistencies i’m going to have to deal with in the seond draft, like why mom doesn’t know rick is dead yet. it’s only the day after, i’m pretty sure, but someone should have called her. who calls the non-immediate family in a case like that? and how long would alice have to wait before starting proceedings to get her kids back? maybe it’s alice’s responsibility to notify everybody else and the cops only mention it, or maybe the ambulance crew, without knowing rick is mom’s kid.
anyway. after i’m done taking the bodies away and arresting judy, i’ve got to wind everything up, with the investigations and the trial and then however this tale ends up being written (and by whom) – i haven’t figured any of that out, really. just shadowy hints.